2. The Eonic Effect:
Climbing
Mt. Improbable
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| 2.5.3 The Old Testament As Eonic Data | ||||
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One of the most remarkable cases of the eonic effect is reflected in the Old Testament. Historians are beginning to close in on the Old Testament period, to produce an account that finally begins to make sense of the confusing history and scholarship here. The worse it gets for the theologian the better it gets for the student of the eonic effect. Biblical scholarship, so-called, has often been little more than the theologian’s disinformation. We have to manage to be somewhat ruthless, and yet respectful here. We are about to annex the Old Testament to a secular model. The document, as it stands now, is beyond salvage on its own terms. One advantage of our eonic approach is that we can partition world history into a series of meaningful blocks, and assess their high level relationships, up to a point, without the exact data. Thus we might inject some bogus data from the Old Testament account, passed like bad money by theologians, and then find that wrong. But our ‘eonic history’ of the Old Testament would remain, more or less. That’s because it is pure architecture with default content, e.g. the well-attested facts we know, and even those we may not know. And those facts are almost entirely in the ‘eonic Axial range’. Almost nothing can be taken at face value in this labyrinth of distortions. But an invariant structure remains in all accounts. That high-level model merely says that the core Old Testament block, a few centuries before the Exile, roughly, in the period of the Prophets, shows ‘eonic determination’, Axial Age correlation, same as Archaic Greece , which it resembles very closely (at this level of abstraction). We can see immediately on the grounds of periodization alone that we are missing something in the standard accounts, religious or secular. The religious account is mythic, while the secular can’t explain the timing. Timing of what? However, the right data finally seems to be emerging, and it fits our eonic model to a tee. In fact the whole document falls into our lap as a play of ‘eonic data’ built around a transition, albeit in disguise. Don’t be distracted by monotheism here. Like Orpheus, if you look backward at Eurydice, you will be lost, confused all over again. A transition is a fuzzy time-zone patch where eonic emergents appear on schedule in a frontier effect. The relative transform of the nth god name sequence is itself an eonic emergent, monotheism is an eonic emergent self-referentially applied to its own ‘history’. A close look shows an embedded account of this eonic transition. Let us look again at our stream analysis of the Greeks: An independent stream, e.g. Indo-European Greeks A mideonic entry into a diffusion field, e.g. Mycenaeans A transitional time-slice, e.g. the Archaic Greek period A post-transitional oikoumene Let us note in passing that the third, transitional period produces a great literature in the gesture of putting the Iliad into writing, sometime in the eighth century or early seventh. This literature is about the second Mycenaean period, which is not a part of the Axial period. So it is the transitional rendition of ‘stream entry myths’ that is significant. Now substitute the relevant data from the Canaanite area of
the emergent ‘ An independent stream, e.g. Semitic Canaanites A mideonic entry into a diffusion field, e.g. tales of A transitional time-slice, e.g. ‘ A post-transitional oikoumene or generator, here spectacular, several religions The two structures are isomorphic, if we can sort out the
actual data that we are dealing with. The Old Testament clearly records a
transition, but throws us off the scent because of its instant mythological
wrapper. But given this resemblance of our two lists we can safely predict the
key period will correspond to the Greek Dark Ages and Archaic period. And that
there might be a clustering near the divide, if we can find one to correspond to
the modern. Tracking backward 2400 years gives us about –600, the period of or
just before the Exile. The clue might lie there and our butterfly net
coordinates suggests something interesting between about –900 and –600,
especially the last half: about the time of the major Prophets! We check the
divide period. Let’s look at ‘state of the art’ Biblical Criticism,
attempting to uncover the archaeology of During a few extraordinary decades of spiritual ferment and political agitation toward the end of the seventh century BCE, an unlikely coalition of Judahite court officials, scribes, priests, peasants, and prophets came together to create a new movement. At its core was a sacred scripture of unparalleled literary and spiritual genius. It was an epic saga woven together from an astonishingly rich collection of historical writings, memories, legends, folk tales, anecdotes, royal propaganda prophecy, and ancient poetry.[i] So the Old Testament is really a creation of the divide
period! It may not be quite that simple, but the point is clear. This is a
climax of strains emerging in the period of Axial phasing. Thus the new world of
Biblical archaeology is producing a remarkable result, in the almost complete
erosion of the standard Old Testament mythology. The secular student of the
eonic effect finds the ‘eonic rubric’, compression near the seventh century,
splendidly confirmed by the emerging picture of the rapid crystallization of a
viable but still contradictory monotheism in the ‘YHWH alone’ movement and the
testimony of the Prophets, in a rapid phase visible consolidated in the period
of Josiah. It is here that many of the outstanding Judaic myths suddenly
crystallize via the formation of an ideology of what is still a ‘state religion’
in the We see the pieces falling into place once we realize that
the patriarchal myths of Abraham, the tale of the Exodus, the saga of Joshua and
the invasion of Now compare this to the Greek case. We can almost map isomorphic elements one to one between the two. Both produce a nationalistic literature during a transition, using elements outstanding from a mideonic legacy of the culture stream. This history of the Israelites turning into Jews shows a remarkable culture-form, something like networking ironically enforced by the repeated loss of the ‘geographical base’. The spread of this network into the coming worlds of recurrent empire will prove a source of general innovations throughout that greater area yielding finally to the Roman world, and this feature goes a long way toward accounting for the emergent Christianity to come. We must be very careful of teleological questions here, keeping in mind that while our large-scale model shows ‘eonic directionality’, that does not allow us to transfer that directionality to the interiors and their mideonic productions, e.g. Christianity. Our model only allows ‘seeds sown in a transition’ to create a cone of diffusion in its follow-up, as the period of eonic determination passes into ‘free action’. Some other form of explanation is needed. We can make no teleological statements about the relationship of emergent monotheism and later Judaism, Christianity or Islam, save that they are in the oikoumenes generated by the transition. However, we can see that while our eonic effect is intermittent, and complete by the time of the divide, ca. the period of the Exile, the clear sense of the transition is the creation of instruments of cultural integration, oikoumenes, and that is the result we see emerging in the wake of this transition. Beware of teleological thinking here, and indeed we see in the centuries to come clear ‘teleological tragedy’ in action as the collision and jackknifing of the mideonic and transitional productions. It is worth proceeding to the Indic example to see the eerie isomorphism once again in the transitional gestation and crystallization of a world religion. For a system modeler this result is far more gripping than the mythology of the text itself. Note: The mystery of
the Iliad In conclusion, in
spite of the dangers of speculation, let us not underestimate our system or
forget the implications of our eonic sequence. We just learned to see how
remarkable the case of the Greek transition is. It ends up being less equipped
to travel culturally than the Judaic, but the core dynamic is the same, and we
suddenly are stunned to see a ‘frequency phenomenon’ behind the rapid
emergentism of literatures in the mainline. Thus, as a matter of frequency the
Iliad appears in world history. What could such a bizarre statement mean?
We could backtrack to that period, sure to discover that while Homer might have
been a great poet (if he existed at all) historical homogeneity could not be
violated, and we could (sort of) imagine how the Iliad came about. And
yet as we zoom out we see a clear macroevolutionary meaning in our sense.
Our model can accept this data then, but it is remarkable indeed. And that does not
preempt any other deeper explanation of the context and free activity of a Homer
(who might have been a committee). Our eonic periods are truly enigmas. Consider
the onset of the Greek Archaic, and the sudden, out of the blue crystallization
of its stream entry literature (bards and their oral epics) across the boundary
of eonic sequence. Presto, a great masterwork. Thus we can muse on a classic
example of an eonic effect, the appearance of the
Iliad. This is a frequency
phenomenon, no? Regardless of whether we decide on a real Homer or not.
Understand this example, and the eonic effect is yours. The stream, i.e.
proto-Hellenic bardic traditions (mixed with other Middle Eastern traditions),
suddenly produces a great literature in the wake of Homer, as if on schedule, as
it intersects with the cyclical sequence, why? A man wrote this. But it is a
clear function of time, taken in our large blocks. So what’s the answer?
Whatever the answer, we see that the temporal stream and the evolutionary
sequence are distinct. What a beautiful way to evolve a field of disparate (and
very stubborn) ‘primitives’, if we can manage the ‘nameless something’ that does
this sort of thing without naming it. Now translate this argument to the Old
Testament, and see what you see. |
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